Fragment 9
Brief
In 2022, I spent a short trial run with Fragment 9 (F9), a studio known for immersive visuals and production design in the music world. During my time there, I contributed to projects like creating visuals for Latto’s performance at the Billboard Music Awards, working on stage visuals for Usher’s Vegas residency, and supporting additional content for Kidz Bop and the American Song Contest—mostly through video editing, motion design, and animation. I even got to pitch content ideas for aritst I never dreamed I would work with.
It wasn’t a long-term fit, but it was a turning point. I learned how fast creative environments move, how to collaborate under pressure, and what it really takes to build visuals that support a live music experience. That chapter still fuels my work today, and I’d love to return to music-driven projects with everything I’ve learned since.
Stronger skills. Clearer vision. And far more confidence in what I bring to the table.
The results
✱ Live visuals viewed by thousands across broadcast + live audiences
✱ Visual elements included in major-stage performances and televised content
✱ Strengthened understanding of professional music-industry pipelines
✱ Hands-on experience with show-ready file prep + delivery standards
✱ Growth in motion graphics, timing to music, and performance-led storytelling
✱ Successfully lived in Vegas during the summer… it was an accomplishment for me okay
My role
✱ Video editing + animation
✱ Stage visuals + performance content
✱ Creative support + delivery for live shows
✱ Created Studios 2022 Reel
Highlights
Latto at the Billboard Music awards and some sample exploratory work I did for F9 in 2022